Sameer Gudhate

5 days ago

Sameer Gudhate Presents the Book Review of After the Gods Fell Silent by Parul Mathur

Have you ever sat in the middle of the night, lamp dimmed low, book in hand, and felt the silence around you suddenly grow heavy — almost alive? That’s what happened to me when I picked up After the Gods Fell Silent by Parul Mathur. I’d expected a mythological spin, maybe a familiar retelling of gods and wars. What I got instead was something quieter, stranger, and far more unsettling — a world where the divine has simply… stepped back. No thunderbolts, no curses, no punishments. Just silence. And that silence, let me tell you, weighs more than words ever could.

The premise is deceptively simple: what happens when prayers go unanswered and the heavens no longer intervene? We enter the Karma Yuga, not through the eyes of mighty warriors or legendary sages, but through ordinary wanderers — people like you and me, carrying questions heavier than their possessions. The plot doesn’t rush or dazzle with spectacle. Instead, it whispers. It asks you to lean in, to walk slowly, to listen. And that’s where the magic begins.

Mathur’s prose feels like poetry in motion. It isn’t flashy — no high-octane descriptions or verbose flourishes. Instead, it’s gentle, rhythmic, almost meditative, as if every sentence is a breath the author exhales onto the page. The pacing, too, is deliberate. Some might call it slow, but I’d call it spacious — room enough to let ideas bloom and characters breathe. There are shifts in perspectives and timelines, but they never feel like tricks; they feel like ripples in still water.

What gripped me most weren’t the events, but the people. These characters don’t battle demons or inherit destinies. They wrestle with doubt, loss, loneliness, and choices that feel painfully human. One moment that lingered with me was when a character, standing before an extinguished lamp, doesn’t curse the gods but quietly lights it again — for no one but themselves. That tiny act of presence hit me harder than any epic war scene could have.

Structurally, the book is like a series of interwoven wanderings. It doesn’t build toward a grand climax; it meanders, pauses, questions, then moves on again. And yet, this slow burn holds its own kind of tension — not the “what happens next?” kind, but the “what does this mean?” kind. It’s a novel less about plot and more about interior landscapes, where the battles are of the soul, not the sword.

Themes? They echo long after you close the book. Karma. Choice. Faith. The fragility of hope when it isn’t backed by divine reassurance. It made me think about how often we outsource responsibility to something greater than us — and how terrifying, but also liberating, it can be when that something steps aside. In today’s world, where uncertainty feels like the only constant, Mathur’s imagined silence of the gods feels eerily familiar.

Emotionally, the experience was a quiet gut punch. Not loud heartbreak, but the kind that settles deep in your chest and makes you stare at the ceiling long after. Some chapters felt like conversations with my own doubts. Others felt like lullabies. The book doesn’t hand you answers; it simply walks beside you, asking, “Will you keep going even if no one’s listening?”

Mathur’s greatest strength here is restraint. The world-building is subtle but believable, the characters flawed but luminous, the writing soft but piercing. If there’s a weakness, it’s that readers craving fast-paced drama or neat resolutions might find themselves impatient. But I suspect that’s intentional — silence isn’t meant to be rushed.

Personally, I was floored. It reminded me of why I fell in love with literary fiction in the first place — for the way it can take a simple premise and turn it into a mirror. If you’ve ever found yourself whispering into the void, wondering if someone — anyone — is listening, this book will feel like a companion.

By the end, I didn’t feel abandoned by the gods. I felt nudged — to pause, to breathe, to believe in the quiet act of simply choosing my next step.

Would I recommend it? Absolutely. But not to everyone. This isn’t a book for those who want noise and spectacle. It’s for those who crave stillness, who aren’t afraid of questions without answers, who find beauty in the fragile glow of a single lamp in the dark.

So here’s my parting thought: if silence has ever unnerved you — or comforted you — pick up After the Gods Fell Silent. Walk with it. Let it whisper back.

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